Connect with us

Movie News

Review: David Gordon Green’s “Halloween” Revives The Fear and Terror

Published

on

After numerous sequels, remakes, reboots, and even a failed divergence of trying to weave the saga into an anthology, it is ultimately David Gordon Green’s take on Halloween that is the worthy successor. It may have taken forty years to find that perfect follow-up but, as we’ve seen from the likes of Blade Runner 2049 and Mad Max: Fury Road, several decades can make a world of difference for a sequel. And though we had to suffer through a long road to get here, we’ve finally arrived at the true Halloween film I’ve been pining for. And it feels so good to have a slasher picture so grim, beautiful, straightforward, and intense.

Despite being titled as Halloween, like another dreary retread, this new film acts as the true sequel forty years later, ignoring previous entries. Jamie Lee Curtis returns to the role of Laurie Strode and she’s been waiting for her attacker Michael Myers, preparing for his return. He’s been locked up in solitary confinement for decades but Laurie is no fool when it comes to horror movie logic. She’s had plenty of prep time and nightmares that never cease to keep her pumped for Michael’s next rampage. And it’s coming up quickly when Michael is transferred to a high-security prison and makes his escape during transport.

It’s back to basics for the classic killer, slowly slipping back into his groove of intimidation and murder. He gets back his old attire by swiping a mechanic’s uniform to fit his massive frame and acquiring his old iconic Halloween mask that looks as though it hasn’t been washed since the 1970s. He’s a ways off from Laurie’s home but works his way over by attacking the neighborhood of Laurie’s family that includes her daughter Karen Strode (Judy Greer), her teenage granddaughter Allyson (Andi Matichak), and Karen’s husband Ray (Toby Huss). Taking a stroll on Halloween night, he breaks into homes, finds some weapons, and begins his night of many stabbings with his following piano theme.

What makes this film so effective is that it never feels the need to delve deeper into Michael’s past, keeping his motivations a silent enigma hidden behind his mask and heavy breathing. There are many attempts to understand him, as with nosey podcasts journalists hoping to land a story and a curious psychologist who wants to know Michael’s secret of evil. Michael won’t spill the beans; he’d rather spill guts. Even Laurie, with her rocky history of not being trusted by her family, obsessed with keeping her home safe, and driven mad by Michael’s existence, has a tone that feels more natural than expositional. She’ll never slow down to explain herself when it comes to the dangers of Michael or how her odd house of tricks functions for trapping the killer she knows will come. She, too, will be interviewed by the podcasters and she won’t give them much, as though her wish to survive the night and kill Michael won’t come true if you tell.

David Gordon Green’s direction is superbly on track for matching the style of the original. The atmosphere always carries a creepy and intimidating feel, that familiar and simple John Carpenter style score piercing the tension almost as sharply as Michael’s knife. Michael’s kills are kept clever, bloody, and chilling; sometimes he’ll go as simple as choking someone to death with his giant hands and sometimes he’ll bring his boot down to splatter brains into the pavement. For as elaborate as it seems, I dug how Laurie’s secluded home comes with a slasher security system, including multiple door locks, an underground bunker of supplies, and special locks she can use to secure rooms she’s already explored. It turns Laurie into more of the screaming warrior than the scream queen she was originally known for. And there’s something oh-so-satisfying about transforming her into the gritty grandma with an arsenal of guns.

I doubt most jaded modern horror audiences would be as spooked into terror at the almost quaint killing spree of Michael Myers with his classic tactics but Halloween keeps a focus by maintaining its style and tone with grace. It’s a brilliantly shot film, from the checkerboard floors of a mental institution to the darkly lit interiors of Laurie’s stronghold, including some subtle callbacks and an alternate take on familiar shots. It’s viciously violent, slowly establishing that nobody is safe from the massacre via Myers, including kids. There are even a few twists thrown in to keep the story more interesting. Ultimately, it’s a wickedly faithful throwback to what made Halloween so gripping and infatuating before the saga descended into Stonehenge mysticism, a reality show, and dreams of white horses.

Continue Reading

Izzy

Movie Magic: The De-Aging Technique of The Irishman

Published

on

By

Robert DeNiro de-agedHave you read Izzy yet? If so, you know that Izzy makes the apples that give the Gods their youth and immortality. It also seems Robert De Niro discovered one of Izzy’s apples too… In Martin Scorsese’s upcoming biographical film, he stars as Frank “The Irishman” Sheeran, a labor union leader and alleged hitman for the Bufalino crime family. The trailer for the movie, which will premieres NEXT WEEK (!), also features a “de-aged” De Niro. “We’re so used to watching them as the older faces,” Scorsese said in an interview on the A24 podcast. “Does it change the eyes at all? …If that’s the case, what was in the eyes that I liked? Was it intensity? Was it gravitas? Was it threat?…How do we get that? I don’t know.” Some might consider this magic and I for one can’t wait to see the impact of Izzy’s apples on screen for myself. ????

Continue Reading

Movie News

“Captain Marvel” Retains Top Slot at the Box Office

Published

on

It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain Marvel, the latest in the MCU with Brie Larson starring as the lead, generated another $69 million over the weekend, placing its domestic total at $266 million. Tallying up the international box office, the film’s global total to date is $760 million. Despite the online controversy, the film is looking to be another strong box office smash for Disney and Marvel.

As for the premieres for the weekend, and there were plenty, they were all over the map. Just below Captain Marvel was the animated adventure Wonder Park, bringing in $16 million, another film with controversy when the director’s name was removed from the picture after sexual harassment charges. Five Feet Apart, the dying teen drama about a romance amid cystic fibrosis, only came in at #3 with a weekend gross of $13 million. And debuting the lowest in the top 10 for debuts was Captive State, a sci-fi dystopian tale, only making $3 million. The film debuted so low the little film No Manches Frida 2 was able to sneak about it at #6 with a gross of $3.8 million.

Drops were fairly low all around for the returning films, mostly because Captain Marvel was dominating the previous weekend. The only milestone worth noting is that The LEGO Movie 2, after six weeks at the box office, finally cracked $100 million. And the sun is now setting on Green Book’s post-Oscar run by coming in at #10 for the final weekend of its top 10 run over the past few weeks.

View the full top ten weekend box office results below:

Captain Marvel ($69,318,000)

Wonder Park ($16,000,000)

Five Feet Apart ($13,150,000)

How to Train Your Dragon: The Hidden World ($9,345,000)

Tyler Perry’s A Madea Family Funeral ($8,085,000)

No Manches Frida 2 ($3,894,000)

Captive State ($3,163,000)

The LEGO Movie 2: The Second Part ($2,135,000)

Alita: Battle Angel ($1,900,000)

Green Book ($1,277,000)

Next weekend, Captain Marvel may very well have some competition when Jordan Peele’s new horror film Us hits over 3,600 theaters.

Continue Reading

Movie News

“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

Published

on

With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy saga, was able to secure the box office once more. In its second weekend, the animated epic made $30 million to push its domestic total to $97 million. So far the film has done about the same as the previous film and is on track to stay in the top 10 for a few more weeks in March.

Debuts this weekend were small with one big exception. Tyler Perry’s latest Madea film, A Madea Family Funeral, naturally made a relatively big splash with its dedicated audience. Starting at #2, the film made $27 million for its first weekend. No word on the budget yet but it’s most likely on a budget as most Tyler Perry productions are, so it’s safe to call this a success, especially for debuting with a box office so close to Dragon.

The rest of the premieres were not as strong at all. Greta, the new thriller starring Chloe Moretz, debuted all the way down at #8 with $4.5 million box office. To be fair, however, the film was in a constant battle for its spot as three other films also reported earnings around $4 million for the weekend. Of note, Green Book, fresh off winning the Academy Award for Best Picture one weekend ago, splashed back into more theaters to arise even higher in the top 10 with its domestic total now sitting at $73 million. Don’t count on it remaining there long as bigger blockbusters will be swooping as we plow through the last remnants of winter movies.

Check out the full listing of the top 10 box office weekend results below:

How to Train Your Dragon: The Hidden World ($30,046,000)

Tyler Perry’s A Madea Family Funeral ($27,050,000)

Alita: Battle Angel ($7,000,000)

The LEGO Movie 2: The Second Part ($6,615,000)

Green Book ($4,711,000)

Fighting With My Family ($4,691,284)

Isn’t it Romantic ($4,645,000)

Greta ($4,585,000)

What Men Want ($2,700,000)

Happy Death Day 2U ($2,516,000)

Next weekend is once again all about Marvel as their latest superhero solo film, Captain Marvel, will be appearing in 4,100 theaters.

Continue Reading

Find Us On Facebook

More

Izzy12 months ago

Get to Know the Story: Izzy

Here at Rogue Matter we’re constantly churning out content, but also recognize that it’s important to take the time to...

Key to the City12 months ago

Get to Know the Story: Key to the City

Here at Rogue Matter we’re constantly churning out content, but also recognize that it’s important to take the time to...

Gabby Goes to College12 months ago

Get to Know the Story: Gabby Goes to College

Here at Rogue Matter we’re constantly churning out content, but also recognize that it’s important to take the time to...

Key to the City1 year ago

Key to the City x Bond

—Agent: The following is for your eyes only— Talk about a character who won’t live and let die! Just like...

Movie Vampires MovieSpoon.com Movie Vampires MovieSpoon.com
Izzy1 year ago

16 Sultry Movie Vampires That Will Make You BEG for Immortality from Izzy

[dropcap]W[/dropcap]hen it comes to immortality, we’ve got you covered with the Gods and Goddesses in Izzy. But when it comes...

Gabby Goes to College1 year ago

The 16 Greatest Villains That Will Make You Join the Dark Side

[dropcap]A[/dropcap]s much as everyone likes to cheer on the hero, there are certain movies where you can’t help but feel...

Izzy1 year ago

Movie Magic: The De-Aging Technique of The Irishman

Have you read Izzy yet? If so, you know that Izzy makes the apples that give the Gods their youth...

Key to the City1 year ago

Key to the City – We need you to tell one of Andy’s stories

Imagine you woke up everyday in a different body. The twist is, no matter who you are today, it's up...

Key to the City1 year ago

The 10 Most Quintessential New York Filming Locations

We know LA gets all the glory when it comes to the movies, but New York has seen its own...

Gabby Goes to College1 year ago

The 10 Most Badass Female Film Characters of All Time

You know Gabby (or if you don’t, get caught up on Gabby Goes to College now for a sinister good...

Trending