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Review: Pleasing Heists and Nagging Winks in “Solo: A Star Wars Story”

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Solo is a prequel that teeters between pointless backstory and rousing world exploration. By its very conception, it is an unneeded movie, tracing origins I didn’t need to see of Han Solo acquiring his blaster, ship, and Wookie. But when the story can pull itself away from its tiring foreshadowing of the Star Wars trilogy, the film nears its more engaging aspect of the swashbuckling nature a Han Solo movie should be.

Alden Ehrenreich plays the young Han Solo with a certain swagger that doesn’t seem quite there yet. In many ways, this works for the benefit of an origin story by not starting off the outlaw as such. His story begins as that of a slave who escapes a nasty overlord, smuggling his way off a manufacturing planet with his thieving and piloting skills. But he needs to go back for his love Qi’ra (Emilia Clarke), giving him more of a purpose besides scoring the biggest take. This aspect sends Han down many paths, from working for the Empire in the battlefields, to snatching loot from gravity-shifting train cars, to staging a rebellion on a mining planet.

Alden Ehrenreich is Han Solo in SOLO: A STAR WARS STORY. (Courtesy Walt Disney Pictures)

As with any prequel, there’s a problem with care for the characters when we know more or less what will happen to them. We know the dashing romance between Han and Q’ira won’t go anywhere and that Han’s new acquaintance of the gambler Lando (Donald Glover) will make it out of this film alive. Han’s questionable ally of Becket (Woody Harrelson) and his bitter crime boss Vos (Paul Bettany) probably don’t have a chance of surviving this ordeal. While I’d like to set the original Star Wars trilogy aside to enjoy Han’s heist film, I can’t help bringing it up when there are so many knowing nudges and winks to forming the character. As if we really needed to see where Han first picked up his iconic blastr or hear a variation on the line “I’ve got a bad feeling about this.”

When the film does decide to put down the callbacks, however, it does start to become the fast and adventurous caper that can exist on its own. There’s real zip to scenes of high-speed chases through snowy mountains and dangerous maelstroms. There’s a multitude of romances and twists that always keeps the blood pumping, even if it feels more like gas churning through an engine, seeming more exciting by design than delivery. And per the Star Wars design is lots of color in the settings with creative alien designs. It just wouldn’t be a gangster bar in the Star Wars universe if there wasn’t a singer in strange attire singing next to a crooning blob in a jar.

The cast is sufficient enough, particularly Donald Glover embodying a smirking scoundrel and Paul Bettany as a sinister force, even if his facial makeup makes him look as though a cat scratched him. Alden Ehrenreich does a decent job at trying to match the cocky nature and boastful posture of a Han Solo in the making, but there’s not much time for him to fit into the role. The film is in such a rush to zoom towards a robot rebellion or a fighting an octopus near a black hole that the charisma never simmers enough to the point where Ehrenreich makes the character his own. The most unique character, despite being overtly bold in its message, is the droid of L3-37 (Phoebe Waller-Bridge), a supposed female droid that is more infatuated with droid rights than piloting for Lando. She has a romantic attraction to Lando which opens up a whole new can of worms for the Star Wars universe.

Donald Glover is Lando Calrissian in SOLO: A STAR WARS STORY. (Courtesy Walt Disney Pictures)

Much like the Millenium Falcon, which appears in the film as a less dirty spaceship before Han got his hands on the controls, this is a film that stops and starts, making me want to kick the projector every few minutes. When slowing down for its underwhelming conversations of how Han met Chewy, the film stalls in easy and unnecessary nostalgia. Just before it grows tedious with references, the action kicks back in and there’s a glee to Han’s adventure of thieving, blasting, and deceiving. And I really wished the film kept up its own pep of being its own thing so the fate of Solo doesn’t loom over the picture with a depressing realization that it’s not going to end well for him. It’s such a rusty movie that struggles to be fun and daring you can almost hear director Ron Howard muttering that old Han Solo line “Here me baby, hold together.” Solo does hold together, but crashes towards the finish line in such a broken and battered state you wonder how it even took off.

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Izzy

Movie Magic: The De-Aging Technique of The Irishman

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Robert DeNiro de-agedHave you read Izzy yet? If so, you know that Izzy makes the apples that give the Gods their youth and immortality. It also seems Robert De Niro discovered one of Izzy’s apples too… In Martin Scorsese’s upcoming biographical film, he stars as Frank “The Irishman” Sheeran, a labor union leader and alleged hitman for the Bufalino crime family. The trailer for the movie, which will premieres NEXT WEEK (!), also features a “de-aged” De Niro. “We’re so used to watching them as the older faces,” Scorsese said in an interview on the A24 podcast. “Does it change the eyes at all? …If that’s the case, what was in the eyes that I liked? Was it intensity? Was it gravitas? Was it threat?…How do we get that? I don’t know.” Some might consider this magic and I for one can’t wait to see the impact of Izzy’s apples on screen for myself. ????

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“Captain Marvel” Retains Top Slot at the Box Office

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It’s no surprise that in its second weekend, the first Marvel Cinematic Universe of 2019 is still riding high. Captain Marvel, the latest in the MCU with Brie Larson starring as the lead, generated another $69 million over the weekend, placing its domestic total at $266 million. Tallying up the international box office, the film’s global total to date is $760 million. Despite the online controversy, the film is looking to be another strong box office smash for Disney and Marvel.

As for the premieres for the weekend, and there were plenty, they were all over the map. Just below Captain Marvel was the animated adventure Wonder Park, bringing in $16 million, another film with controversy when the director’s name was removed from the picture after sexual harassment charges. Five Feet Apart, the dying teen drama about a romance amid cystic fibrosis, only came in at #3 with a weekend gross of $13 million. And debuting the lowest in the top 10 for debuts was Captive State, a sci-fi dystopian tale, only making $3 million. The film debuted so low the little film No Manches Frida 2 was able to sneak about it at #6 with a gross of $3.8 million.

Drops were fairly low all around for the returning films, mostly because Captain Marvel was dominating the previous weekend. The only milestone worth noting is that The LEGO Movie 2, after six weeks at the box office, finally cracked $100 million. And the sun is now setting on Green Book’s post-Oscar run by coming in at #10 for the final weekend of its top 10 run over the past few weeks.

View the full top ten weekend box office results below:

Captain Marvel ($69,318,000)

Wonder Park ($16,000,000)

Five Feet Apart ($13,150,000)

How to Train Your Dragon: The Hidden World ($9,345,000)

Tyler Perry’s A Madea Family Funeral ($8,085,000)

No Manches Frida 2 ($3,894,000)

Captive State ($3,163,000)

The LEGO Movie 2: The Second Part ($2,135,000)

Alita: Battle Angel ($1,900,000)

Green Book ($1,277,000)

Next weekend, Captain Marvel may very well have some competition when Jordan Peele’s new horror film Us hits over 3,600 theaters.

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“Dragon” Continues To Soar, “Funeral” Close Behind, “Green Book” Back

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With little competition for the weekend, How to Train Your Dragon: The Hidden World, the third in the animated fantasy saga, was able to secure the box office once more. In its second weekend, the animated epic made $30 million to push its domestic total to $97 million. So far the film has done about the same as the previous film and is on track to stay in the top 10 for a few more weeks in March.

Debuts this weekend were small with one big exception. Tyler Perry’s latest Madea film, A Madea Family Funeral, naturally made a relatively big splash with its dedicated audience. Starting at #2, the film made $27 million for its first weekend. No word on the budget yet but it’s most likely on a budget as most Tyler Perry productions are, so it’s safe to call this a success, especially for debuting with a box office so close to Dragon.

The rest of the premieres were not as strong at all. Greta, the new thriller starring Chloe Moretz, debuted all the way down at #8 with $4.5 million box office. To be fair, however, the film was in a constant battle for its spot as three other films also reported earnings around $4 million for the weekend. Of note, Green Book, fresh off winning the Academy Award for Best Picture one weekend ago, splashed back into more theaters to arise even higher in the top 10 with its domestic total now sitting at $73 million. Don’t count on it remaining there long as bigger blockbusters will be swooping as we plow through the last remnants of winter movies.

Check out the full listing of the top 10 box office weekend results below:

How to Train Your Dragon: The Hidden World ($30,046,000)

Tyler Perry’s A Madea Family Funeral ($27,050,000)

Alita: Battle Angel ($7,000,000)

The LEGO Movie 2: The Second Part ($6,615,000)

Green Book ($4,711,000)

Fighting With My Family ($4,691,284)

Isn’t it Romantic ($4,645,000)

Greta ($4,585,000)

What Men Want ($2,700,000)

Happy Death Day 2U ($2,516,000)

Next weekend is once again all about Marvel as their latest superhero solo film, Captain Marvel, will be appearing in 4,100 theaters.

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